You are also recognized by the works of urban art. What are the challenges of this type of environment? Whether a wall or other surface?
GC: The biggest challenge is to paint a wall on a large scale. It is the most difficult. Although, I do not use a projector, I am seriously thinking of buying one for the art works is more convenient and faster. The human anatomy is already difficult to draw on a small scale, in a large one is much more.
And people how they perceive your work as an urban artist?
GC: It is so, I do not consider myself urban artist to a 100%, because I'm an illustrator and broadcast my drawing to the wall, in a larger format. Although it works on the street, I do not consider myself this artist genre.
And there is a positive feedback or not?
GC: Yes, so I hear, the level of criticism is fine. And what I like to hear more, and that's what makes me live from the arts, is heard them recognize a work as my, they know what my style is.
Then tell me about your style.
GC: My style is what I transmit graphically. I like realism, but also suffer from the cartoon and comic book influences. It's a mix, my trace is recognized.
There is an urban art movement in the area where you reside.
GC: Yes, I am even one of the drivers. I began to illustrate walls, organized several events and made a proposal to the local chamber. I started with my murals and invited other artists to participate. It is a small village we go slowly.
So is similar to the movement of the "open doors" of Madeira?
GC: The doors are not my idea. One of those city hall responsible was on holiday in the island, saw the idea and wanted to transpose it. What I did was to paint murals, street art. We do have old parts similar to Funchal and we are now enjoy these areas, there is a reconstruction and recharacterization of some buildings.
What is your next step?
GC: I'm always doing work. I keep up. I have a project with a colleague of mine, to do illustrations for magazines, flyers, design and am I exploring the area of tattoos. Do a little of everything, because the landscape is to complicate and we cannot stop messing us.
