Reflect the island that is in you? The islet has this weight?
FV: Maybe, both the vegetation that also happened in other exhibitions and the lakes and water I am presenting for the first time, although I remember a sequence I made for the door 33 had a house that had a well, I turn intentionally or unintentionally, to quote myself.
You end up doing some deconstruction of your work?
FV: I do not know I would have to reflect on this question. The truth is that these are my interests, therefore they appear in the same way that there are certain subjects that interest me, how to present them in this case, playing with different formats, with different approaches on the same subject, this game is something that fascinates me. The construction of small narratives with a beginning, middle and an end. Here there are also notes of this discourse, through the lakes, the fact that the house represents a certain level and then you see other views, is more subtle.
The colors are important to you? In this exhibition are very vivid.
FV: Color is not the most important in my painting, I have been more vibrant, has to do with what I want to develop. Right now I am interested in playing with brown tones, with chromatic games. The color comes by extension, sometimes I begin to paint a certain tone, but then I'm applying layers and in the end the result is the same, the screen goes through several colors. The construction of the works appears in the collections, I just never got ideas for one work, are always sequences. I like to build them simultaneously.
As said previously you like to tell a story in a subtle way, conscious.
FV: Yes, and in the presentation of these works I did not wanted to stay all lined up, I like to play with these looks, I want people to be shuffled and everything interests me.
