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The one who provokes

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She is a young artist who has a secure and continuously impression on the national artistic scene. Fatima Spinola explores in her works of art the concept of the indivisible, the less obvious. The provocation, the questioning and critical thinking are various aspects present in her art.

How do you define yourself as an artist? I notice that in your work you approach different artistic movements and different materials.
Fatima Spinola: I try to keep that line; there are several ways, several approaches in counterpoint to a single strand. I am usually a bit against it, because I feel in me since childhood many facets. I explored the music, theater and other areas. In the visual arts I also feel that urge to explore the various materials.


About the materials you employ, many of the objects are recycled.
FS: Yes, it comes from a need to escape and the fact of not having the financial capacity to implement many of the projects I image. So, in that way I can create some hypotheses that are viable and in the end are having an impact, but without great costs.


In your painting you refuse the obvious. What are you looking for?
FS: The painting causes me nerves. It is the most emotional of my work. It is an action. The knowing that I will expose myself. Therefore, I end up not painting often.


It's your preferred choice or not?
FS: I do not have a preferred option. I like to approach the installation, painting and drawing. But painting of these three styles causes me a greater disturbance. Painting is easy, in terms of technique, the problem is the content, sometimes comes out things I did not wanted to say, did not want to display.
Do you feel more vulnerable?
FS: Yes, it's more personal.

But, I've seen a self-portrait painted by you.
FS: I have more than one up. The self-portraits may be more than what we imagine, but even in other works in which the representation is not me say a lot about.


Tell me about the painting of the doll.
FS: This work is based on an image I saw on the internet. A collector started selling a doll and so stripped it to show that the body was intact, there are pictures of the back so we can see the mark on the neck. When I saw those pictures I thought immediately about pedophilia, because it is a doll, a childish one, which has placed on the neck a necklace of pearls that is typically used by an adult woman and yet is still stripped to the waist. All this caused me such an impact, I decided to paint it. By exposing this work I plan to remove it from the context in which I had seen it and although at first glance the canvas looks very sweet, cute even, because it is a doll, over time is Machiavellian. Already several people have asked me to sell the painting and hang it in the bedroom of a child but I never allowed. That does not fit anywhere, not even in a living room. It's terrible to say this about the painting, its bad marketing, but true.


So why show it?
FS: It must be exposed. Should not it be in a family room, nor be seen by children.


And your latest creation, an installation, what is the context?
FS: The piece in the gallery Mouraria is a painted tarp with two meters of length and was crafted in three dimensions. Will be shaped and is called "nhec-nhec." This term comes from an anecdote told in my childhood. I find it interesting this idea of trying to grab something, but we do not know what it is. I decided to put hooks, sharp ones, like those at the butcher and that somehow caught this "nhec-nhec." All this is within the art forum, which is we are looking for something that nobody saw, do not know if it exists but one thing is for certain: that we will find it.
What is the route you intend to do as an artist? Apart from your work in "Mads" and other cultural groups.
FS: The one I foreseen and want is to be a creator. Whether or not is going to be too complicated to live from an artistic activity. It is a priority and I not see it as something that I can stop, it will always be continuous. No matter if I find other means of support. Anything goes. I always do this work.


http://www.fatimaspinola.com/

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