A Look at the Portuguese World

 

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The visualist

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Nuno Cordeiro addresses the design of furniture through a long look at what surrounds him. A work inspired by the Portuguese landscapes, rural and urban areas, which is translated into unique pieces of high quality.

What is the vision you have for your furniture?
Nuno Cordeiro: My work is inspired by the Portuguese landscapes. The terraces of Alto Minho, the houses in Oporto and the landscape of a digital map of ripple. These tables were literally copied from the forms of the fields in the municipality of Megalhaço. My grandfather was a woodmaker and had a workshop and produced furniture and what remained were wood waste that I have been using. Each had a different format and thickness. Then I remembered to associate these two strands with the geography of Melgaço, all fields in this area also has different forms and heights to support the slopes.

The pieces are all so different?
NC: Exactly. They are unique and original pieces. As the size of the larger piece that I have I attach the other to create a table.

What kind of materials do you use?
NC: I use exotic woods from Brazil and Africa. The mahogany, rosewood and beech. There are parts that I used of chipboard, paper and vinyl sticker.

The shelf Victoria also reflects a landscape?
NC: Yes, in this case an urban landscape of the historical city of Oporto. I always had a great fascination for this area, the shapes of houses, and the colors. I used the same process, I used images of the city, the county of Victoria, a view of the cathedral and took the form of houses and moved to the various forms of the bookcase. I also added the traditional colors of the buildings, the dirty white, the yellow, ocher and red.

Your projects are always inspired by the tissue that surrounds you is it?
NC: In did this idea come from a visual image for a project. I think it worked well because it is something unique and original. I always try to approach a concept or an idea, as well in my work I tempt to develop a structure and have the most appropriate materials, try to convey something. The parts have to be charismatic, because otherwise, people will not fully identify with them and are very standardized and is also a way for me to differentiate from the market of furniture that already exists. Thus I create a connection with people.

What is the feedback you’ve got from people about your pieces?
NC: It's been very positive. Especially many compliments about the tables. They think my projects are unique.

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