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The TASA project is developing a range of innovative and sustainable products in terms of design, based on the traditional techniques of the Algarve and beyond. A fusion between the past and present who have not only received public acceptance, as awards and international recognition.

In which context the project Tasa appears?
Sara Fernandes: It appears in 2010 thanks to the initiative of the Coordination Commission Regional Development of the Algarve and was developed by a company called "home project", but now is being spurred by "proAciveTur- responsible tourism". The name indicates that are Ancestors Techniques with Current solutions, ie, functions as a network of master craftsmen in various traditional techniques of the Algarve as pottery, weaving among others, which are combined to give new products, closely linked to a strategic innovation in communion with the craft.

How engaged is the selection of artisans, you have to take into consideration when choosing these professionals?
SF: The artisans entering the network must have a great desire to participate in the dynamics, to recognize the value of the network, then you have to be receptive to innovation, connection, design and try new solutions or new products that are found by the craft that develop, for example, if we have someone already working cork and we needed a person working pottery, met several people connected with this art, and from there we developed the product. The most important part is the motivation of each and the recognition of the gain that is this project.

But, you contact the craftsmen and then a team of designers is what makes this bridge for the new products?
SF: The project is now with ProAciveTur, we're a team and within this working group. I am part of marketing and communications, there is still a product designer, Joana Martins, who works directly with artisans, joins to them, try to understand how they work and just what they envisioned for the creation of a product, or a range, she speaks to the artisan in order to understand if it will be possible to do so, if he finds it interesting and from there it develops this work. It is a co-creation of a product between the designer and the craftsman.

Altogether how many artisans found in the network?
SF: Altogether we have 13, but it is not a number, because we are in a new phase, called Tasa II, we are developing 15 new products in the same methodology as the first phase of this project to be applied and these new products are being developed in the Algarve, Alentejo and Andaluzia, so it certainly will get new artisans and the network will extend. The "Technical Ancestry, Current Solutions" products developed in Alentejo, in Phase I, will be presented at the Second Mediterranean Diet Fair, which will take place on 5th,6th and 7th of September 2014.

The products developed so far, which were the ones that stood out in terms of success with the public?
SF: In the 2014 catalog are integrated into 30 pieces, which are organized by categorais, eco, kitchen accessories, etc. But the product has been widely accepted by the public are mostly ceramic lamp with cork or cork only, are pieces that have had a huge demand. It has been also some much prominence in the media, as has been present in some projects of interior design, as was the case of a hotel and was recently awarded an award to architect Cristina Campilho, which received an honorable mention in the John Almada Prize 2014 his work in the urban rehabilitation of a building in Rua do Almada, Porto. The house had a lamp in the living room and ceramic and cork and in the bedroom only cork, was a major highlight of Tasa products.

It's a concern that your products are sustainable?
SF: Yes, this is our foremost concern. In addition to presenting products containing some innovation in everyday life, we also want to have a sustainable aspect, because most of these crafts work is done with raw materials that respect natural cycles, ie, does not exhaust them. We also tried to look for products that are environmentally friendly, with a very sustainable shed and now we are investing in the certification.

Going back a little while ago, can identify who is the target audience of Tasa?
SF: We have the general public that buys the products occasionally, but our customers are more attached to the offices of design and architects that are looking pieces that have some connection with Portuguese traditions, this aspect of sustainability and product innovation. Our target audience are the small and medium companies in the Mediterranean. At this time, we worked with specific stores that sell our products nationally and we want that our products are integrated in projects of national and international design and decoration.

Then you notice a sensitivity for design made in Portugal to the outer level, outside the country?
SF: Yes, we have immense request and now we are trying to create conditions so that our products are in certain points interncional sale. Lately some products has had the attention of some foreign journalists and recently won an award that arose under a Creative Connects residence where a product was developed "sleep tight", a cradle of cork. This product won the second prize of the 2014 Green Furniture Awards, which generated a huge wave of supporters Tasa project. This recognition of the work developed has helped us to create a large number of connections with the outside. The Tasa was elected to represent the Algarve region in Sha.pes project (prior Sharing excellence and support for the creative MED asset) that opened doors to participation in three events in France, Spain and now Italy, HOMI, in Milan, on 13th -16th of September.

http://www.projectotasa.com/

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