In terms of the program what has changed?
Carina Teixeira: In terms of program, as already noted, he has different groups. We varies from those who come from outside. Mostly we have tried to bet on bigger groups, or who has the most peculiar spectacles. This year, we have the presence of the Commune, theater research, which brings the piece "design for living." We want to provide more alternative groups. This year's program is different in one aspect, we have more performance shows. There is an alternative night that will be held in Camacha, in a restaurant basket in the basement, is an attempt to draw younger people to see theater. This shows commitment to bodily expression in visual presented by the group unsightly. That same day, Taciana Gouveia will show body painting and artwork. We also have the "theatrical shorts" they show a work of music and repercussion. This is to emphasize as I said earlier, that the theater does not only happen on stage. It is a mixture of music, with declamation, poetry and painting. It is a work of creation. The artist reinvents himself as someone already said. I think that says it all. This year we decided to extend a little longer even have the participation of the "Corner House" had been present last year and they bring a Galician group. This is an asset for us. What is required? Not only visibility for groups that come from the outside, it is often what people think, that everything that comes from outside is good, no, we want to create channels of communication, exchange of ideas and that artists came inside to know our work. We bet a lot on interaction between people and all the backstage where regional artists and outsiders can establish ties. If you pass the word that we are as good as others, it is very good in regional terms.
The audience of "I love you theater" you already wan. How did you convince the authorities to support a theater festival?
SB: It is important to present a reliable design, I think it should be the first step we must take. Must be something with quality and structure, because if it is not intended to be like that and does not have clear goals, everything is lost. The first rule is to present a project with quality, feasible, and to show that we want to work. We cannot keep waiting for things to fall in our lap. We have to move, to be proactive and get to work. Backups appear in many different ways, not merely monetary , such as the giving the facilities, support for transportation are essential.
