A Look at the Portuguese World

 

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Mister fantastic

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He is software engineer, artist, trainer, promoter of workshops, comics designer and multilingual. All he lacks is to play an instrument. He is the master of all trades, a true force of nature that sees life as a mission where you have to give something more to the world. His name? Roberto Macedo Alves.

You came from a scientific area that is accurate, but at the same time you are an artist the privilege universe of creativity, how you combine these two facets?
Roberto Macedo Alves: I need this combination to live. When I was younger had two loves. (Laughs) I always liked to draw, I still have drawings I did with three years old, my mother kept them. I had comic books (CB) before I knew even how to read, since 1978.

Taught yourself to read?
RMA: That part I do not remember, but my mother tells me so. In school I wrote my name, as kids of my age still learned the letters.

Let's go back to your two loves ...
RMA: I liked the first CB so much I tried to draw ever since. At ten years of age found a science fiction writer named Isaac Asimov, robots and cybernetics were discovered by me, was in the eighties, so I decided I want to be part of the future. From that moment on I always wanted a computer. The first was a Macintosh in 1986. There was no better, I disassembled it after a week, I returned to the store so they can help me with parts left over and it worked again. In fact even to the current day it works, and I have the floppy disc also. I never had the courage to throw it away. I have a shelf with this model, an Imac, the first with color, the second best computer ever made and now I have the plain. I always wanted to be part of this world, where computers talk to each other, with advanced machinery, I was 14 years old and reached a point where I had to choose: the arts, I read and draw, and information technology.

But then you did comic strips?
RMA: Yes, began with Jules Verne, the twenty thousand leagues under the sea, at nine years old. I thought the author was glorious because he was speaking of Madeira; it was the highest peaks of Atlantis. At the Red Peak could see a few shells that I associated books. I read all about this writer until there was, indeed, the "green ray", pages contains almost all the descriptions of the landscapes of Madeira, its pebble beach's and vegetation. It was all fascinating, because it was a publication of the nineteenth century. I also adapted the books of Sir Conan Doyle with ten years old. I read all about Sherlock Holmes, the science fiction books of Professor Challenger and historical publications. With fourteen years of age I transposed Asimov's books to comics. I have an obsession with the authors that I like, I read everything. After that I re-read over in English, started with CB with the help of the dictionary. I bought the books in Portuguese, but I found a kiosk that sold them in English and there was a lag of four years between the two versions. In the adventures of Spiderman in Portugal, he was still a lone hero in the U.S. he was married to Mary Jane for several years, they were only in English, I did not understand half of what was there and so began the translating process. Today, my English is as fluent as the Portuguese and Spanish; I just need to change it with a mental switch.

Then how did you start painting?
University I had to decide, science or art. I liked both and was very difficult to choose, I began to think of embarking in the sciences, information technology, because I could study art at my own expense. It was easier in terms of study than the scenery around. The science involves mathematical equations and calculations, and had no way of knowing whether they were correct to it all alone, in terms of art could learn from some books and lots of practice. Of the books I have at home, the art publications is five times more than the computer. I got to make adaptations of my favorite Marvel superheroes such as Spider Man. Yet these drawings were snotty, they lacked practice. I started walking with a notebook around everywhere. On the tube, drew people who were waiting at the stop, reading the newspaper. I drew everything I liked. I have over 50 sketchbooks. Only after spending a lot of paper, hundreds of sheets that practice would be able to get me the result which would not embarrass me. Still was not enough, because although the position of the people was natural, were never imposing. Need something with more impact; I started reading the great masters. I had read a book by Giorgio Vasari, a biography about the life of the great painters, sculptors and architects. He spoke of Leonardo Da Vinci, Michelangelo and all the great artists. I read that they learned to draw by copying each other. It was a revolution. I bought a book of Michelangelo, did all the drawings in pencil of the Sistine Chapel, to see what was the structure in terms of anatomy, arms, and the proportions. Then I came to the conclusion that he could not draw women. I then proceeded to Leonardo, but still only managed to dominate the female figure with Delacroix. Later in college, I spent endless hours in the museums of sacred art, the Gulbenkian and Centro Cultural de Belem was there almost every weekend. I enjoyed myself a lot in sciences, the notion of exact, but it needed at the same time to twist my head and unleash creativity, complemented one another. Today it is still this way. In the morning I am the coordinator of the IT department of the regional statistics and in the late afternoon I'm at the store, with drawings, with the kids that come with their comic projects and plan events. I could not live without one or the other.

After that you embraced a life in London, why did you turn back to the island?
RMA: I've had a season there. But suddenly I felt the need for a quieter life. I need to go back the origins of peace and quiet. I was always running around all that and I was dripping. I looked in the mirror, I felt old, fat, I seemed like forty years old, so I came back. Everyone told me, you are crazy, in three months you'll be back. I needed family stability, but I realized that this was more stationary than I thought and started to move. I tried to always bring more excitement.

You created you first company at the age of 26.
RMA: It was a computer company with two partners, was at the beginning of photocopies, but I thought we should change, because it began to appear scanners and multifunction printers, it was in 2001. The concept was to try to sell computers at a reduced price, a white label; we order the parts and ensemble it here. We were kids who had little experience. Then we started to create websites, but it was too much. The ideas were good, but we cannot control everything and I ended up selling my part, I thought I needed a different view.

Since the beginning you wished to be the sole proprietor?
RMA: Yes, when you start working for you, do not want to it for others. It is important the work I do in the office, but is not the same. At 26 years old this company served as a learning opportunity. I never see it as a failure. The idea did not work because was not prepare properly, neither had a team failed to achieve that and no marketing. The fault was ours, and then I had always the idea of ​​opening a comic store.

You began the 7th dimension.
RMA: I liked CB so much that I order the issues from Lisbon and Porto, and then when my friends knew, so I order also for them. At one point, I had so many requests that I open an account in the supplier and taking into account the profit margin, I could rent a room. The 7th dimension was something I liked because it not something half-like so when the problems began, I would just discarded it. What happens is that many people say, I'll open a coffee shop, I wonder: but you love coffee? No. I replay: I give you two years. Those who loves what they do prevail, even in adversity.

In this adventure you are alone, because you don't want partners?
RMA: Because partners need to have all the same vision. If not, we are not pulling the company in the same direction. So I thought at the time, I'd rather do it alone. I decided to open an independent bookstore and everyone said you're crazy, just my mother believed, she said to me, if you're doing it is because you have some reason. It all started in the cheapest room I could find. I've had clients fixed. I got an area on the second floor, on the street Camara Pestana. Later I open this new space. Then the Magic people came. More than a place to sell books, is a venue for socializing, a group that is sort of a community. Here no one is excluded. I know every customer by name. It is an advantage I have over FNAC, even after the opening of that store customers remained faithful. The idea is that is special, more than a bookstore, I want a space where there is an experience. We have to give something more than a product.

Where there are formations course?
RMA: Following the mission of the seventh dimension. In the background is to allow a place of refuge. Gradually I started with the kids who needed to learn, with comic workshops. I did the training course for trainers and also began to provide training in computer science with unusual methods. I told people to jump during classes and assimilated among the way some concepts. The feedback was very good and enjoyed seeing how people learn and achieve leverage knowledge. I was very happy. (Laughs)

But how did you start with these financial workshops? You noticed that there was a gap in the market?
RMA: Yes, people have no idea of how to manage their money. You talk to them and they say I do not know where my money went. To me this type of statements bothers me. How you not now? (Laughs) I know exactly how much I spent on food, gasoline and how much do I have to spend by the end of the month. Through the several categories and how much I spend on each one, I have my budget. If for example I spent less on food this month means that I can eat out. People do not know how to manage. We give ideas on how to save. When asked the students, how much does it cost an hour of your work? Invariably respond, the total salary of the month. I mean, that's not what I asked and so they realize, they don't know how much it's worth an hour of their work.

Then you teach people to manage their money?
RMA: That's just a phase, hence the name of financial university. Students define their mission, as do companies. The reason why they are in this world. Your nature is cultural, that's why you have a magazine. We have tried to develop these abilities in the arts, in music, whatever they want to. People have to stop to think of them, focus; many do not have the slightest idea in which areas are better or not. We do a test to determine where that person match and can guide it in that sense, for a purpose defined objectives and how to reach them. We talked about motivation, strategies for savings and investment over one year, five years and projects for ten years.

What is the average age of your students?
RMA: From aged 19 to 50 years old. Began last year. It was an idea that I mature and I went with a friend, Eduardo Grácio to London, the National Congress Achievers. Three days when you hear various speakers such as Richard Branson, Tony Robbins, among others. There are 10 thousand people gathered in a pavilion just to hear them talk about their journeys. As he had the same vision, the ideal, we have created a training that is not at all similar to what people were used. The crisis turned out to be an ideal time to put these ideas into practice. Like this idea, I plan to open a child development company, Gymboree.

What is a child development company?
RMA: It is a space where many classes take place, structured by American scientists, to develop the skills of children by age. It starts from zero to six years old. These education programs were tested, which allow kids to start walking at nine months is a fun way to help parents at a critical time. People think that babies eat and sleep, but from zero to three years are the period that triggers the brain and neurons are constantly bombarded with information. The aim is to achieve maximum potential-

How then we reach the concept of pechakuchas?
RMA: I found out while reading a media book is a Japanese concept. I researched the subject, I contacted them and said that I liked to establish a partnership, signed the contract and host the event here.

You do not have the Grinch voices?
RMA: Yes, but I do not care. I hear it also for the workshop. Then I start thinking, if I organize it what would I lose? Time and money, but then if I don't I am dwelling on the subject. I'd rather waste time and money, than go through life thinking what if I had done something.

Do you think your generation is less entrepreneurial?
RMA: I think they should be more. We have the potential now with the advent of new technologies evolution. In the past we were more isolated in the mid-Atlantic, an island within an island, not now. With the internet we can contact Japan, then negotiate the terms and a few hours later sign a digital contract that allowed me to participate in a global event. My generation should be more entrepreneurial because now is not limited to the local market.

Do not you think it comes from people wanting for a job?
RMA: That's it. People are very mediocre. It's more comfortable to be working from nine to six in the evening with the guarantee of a paycheck at the end of the month, rather than take risks. There is a phrase of Eleanor Roosevelt I like, do something every day that scares you. In the university's financial workshops I notice that there are many young people, they feel they have a potential that can be monetized. They are a different generation. More active.
http://roberto.setimadimensao.com/

http://www.robertomacedoalves.net/

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