A Look at the Portuguese World

 

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Lives and pieces of the world & others

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Antonio Barroso Cruz writes compulsively, an obsession that impulses him to tell stories about people of other parts of the worlds. He creates scenarios, experiences and everyday journeys that result from his travels, these chance encounters that awaken his imagination towards fiction.

It is a book of chronicles, but different because it has a more personal nature, as is the case of the letters to Mariana, why?
Antonio Barroso Cruz: I think an author in some way reveals something of himself in his writing, even the simplest text as daily chronic, is a novel (which I do not know if some day I will get there). But is implicit in every story, every word, every picture he make during a travel, the soul of the author and the interpretation of his surroundings, or what he is seem it at the moment. "Lives and pieces of the world" is a dichotomy so to speak, on the one hand, the component of travel and other texts that have nothing to do with this book, but I decided to join it because after all are also part of our daily lives.


Some of the texts are eventually a travel because they speak of friendships you made around the world.

ABC: Inevitably are memories I collected, I compiled this book, because it started with the cover of the book, it appears the experience I lived in several countries that I was visiting. Letters to my daughter stem from a time when I was in Moscow. It is a beautiful city, but with very sad people, still under the Stalinist regime that ruled for a long time and from which has not yet managed to get rid of. Interestingly I was staying in a hotel directly overlooking the Red Square and then later in the day when the snow falls and the cold was so intense that people could not go out to the street, I decided to write these letters because I felt it was a way to be closer to her after so many thousand miles away from home.


The trip is not only the place, what's beyond that?

ABC: The trip is much more than the place, you know that throughout my privileged life, I can only consider it this way because in most cases I can do it for professional reasons, there are two phases. The first includes that eagerness to discover the world. I'd only went after things, places, the garden, or the monument, or the landscape, or a new horizon. Do not know if by influence of the age, or maturity as a traveler, I begin to notice more the people and all begin in a trip to Cape Verde. In fact, Cape Verdeans have touched me, especially on the island of Fogo in the Caldera Cha, that to whom I dedicate this "life and pieces of the world," I felt I had been wasting many years of my life with only places, not trying to get the soul, feeling and the people in Cape Verde was that turning point. I started to give priority to people.


What does Cape Verdean have that is so special?

ABC: The Cape Verdean people have a within sweetness, an openness. I had curious experiences in some of the islands I visited, the proximity to the people, the places where I lodged in were basic, but it led to that closeness. In particular the island of Fogo is one of the most isolated places you can imagine, it's amazing, I felt so touched by these people, and they are so tender, so in need of a hug and a friendly word that touched me deeply. Now when people ask me what sites of the world I most want to be? It is difficult to choose one, however, always say three: the island of Fogo in Cape Verde, Guatemala and Burma.

Why these three places in the world?
ABC: Guatemala because in my view represents Latin America as a destination, with all that this continent has to offer and we are directly connected. Their sensuality, language, so there is this closeness, a bridge over the sea that unites us. It's beautiful landscape from my point of view; we found lost lakes in the middle of nowhere, volcanoes and fabulous sites as the city of Antigua that represents the colonial style. People are extremely friendly and of great simplicity, which is one of the features I love best in people. On the whole it was a revelation. Burma for the same reasons, is in Asia, the Burmese people are the poorest I've ever met to date, all do I haven’t visit countries like India where poverty is extreme, but it is a people with a wealth of life so superior to its misery, that can only fascinate the West. I know they touched Antonio Cruz with their beautiful smiles. They are of great affection and a dire shortage, because they are under a military regime that is dictatorial, they are isolated from the world and give great value to those coming from outside that wants to give them a hug, or talk to them and take pictures. Not to mention the monumental landscape. Hence arises the photo album, I'm not a professional photographer, or even dare to say that I take good pictures. It is a record of these people I met who goes beyond the photo. I did not know them, nor had the opportunity to speak with many of them.

Why now?
ABC: Because I thought I had enough images to make an album. I've been in the last three years in places that marked me deeply here we can see Syria, Panama and Thailand and also to break that habit I had at the end of each year to edit a children's book. This year I decided to "harm" the children on behalf of the adults, although it is a book with many interesting things for young people. It was an accident, had stuff to do it and no story to tell.

You publish a few stories, but you said also that you might not write a novel? Is it lacks of maturity to write it? Don’t you already have the idea of a story you would like to tell?

ABC: I have some, and I do not want to be misinterpreted but what I mean is to write a novel it takes time and I have not reached that maturity. I have met many people and many places, but I haven’t unstructured a novel within. The ultimate goal of a writer should not be a novel. It may be the start to the top of a "career" as a writer. I believe that such is not the case. Take the example of Luis Sepulveda, he did not write a single novel, but has absolutely fantastic story books. He works his way of writing the story and perfects its form of writing in order to make it the best way possible, rather than in a novel. I admit however I do not have time to write. Requires availability and silence is something that I do not have, because I work, I have a family and all limit in terms of concentration. Therefore, I write short stories and maybe throughout this writing I will walk into a novel. It is not an objective, if I must it will naturally arises, if not, I'll be happy with what I have done.

How does function your creative process? First you think of a story, or are about someone you met?
ABC: We go back to Cape Verde. Back to the island of Fogo and a lady I met at the home of a friend, was the maid and her name was Joanna. I was only two days with her. Joanna is the picture of Cape Verdean women of the countryside, walking barefoot, with 30 years old judging she had fifty, someone who is very broken by time and had an empty look. She is one of the first tales of the ten that come from her sad gaze. The book begins with a funeral scene with the weeping of the mourners who came to me thru the wind, I distal from them five hundred feet away and I returned to Portugal with the sound of these mourners and that sad look of Joanna and from them I did a story. With her I recovered others who passed through my life, some more important, others not so and from there managed to create nine more stories around it and I am looking forward to write about people I met in my life and build stories around them. After a few years and some books published and with all the constraints that my life has I notice it's more about people I like to write. Definitely.

It is a constant need?
ABC: It is constant, if it were not I wouldn’t feel the need to write in weeklies and magazines. I cannot do this my life, because books are not profitable in Portugal. They are for a Jose Saramago, Fernando Pessoa or Eça de Queiros and other writers such as Fernando Tordo, or Gonçalo Cadilhe dedicated to travel, which has a standard of living that allows them to live by writing, I cannot do it.

But if this could be your fate?
ABC: Absolutely. If it were recognized and that somehow would be profitable, not to the point of becoming a millionaire, but to hold a nice living standard, I would devote to writing for sure, but we are in Portugal and worse  in Madera with all the limitations that it entails. The island is closed. For books to get out is extremely difficult and costly for my publisher the Liberal, to put them on the shelf’s of the mainland, he loses fifty per cent of revenues, in favor of the distributor and maybe in a book of 20 euros and even that the author is the one who triggers all this, he gets only one euro. It’s not justified.

"Curse words & good will" comes from a very Portuguese indispensability that is to criticize everything?
ABC: It's very Portuguese habit. The society above all is extremely fertile, I speak of chroniclers, writers, or whoever in given us ideas about the qualities and the defects that we have. It's like a piece of clay or plasticine we are shaping. Both can write a chronicle of cursing, as one of good will that results from my more sensual rib, more erotic and here I do a balance that I think it works. It is bittersweet. It is also the result of a need. Intelligent people should start by laughing at themselves. If you cannot laugh at yourself because you did something stupid, or crazy or lunatic, idiotic even, if I can laugh at my own faults, I think is halfway to laugh at the society that surrounds me. And I can laugh at me, of my flaws and my imperfections, society only has to review itself in what I write and a lot of people, fortunately, write also.

http://www.abcruz.net/

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