It is the second work of Naifa, after the surprise of the underworld.

To say that this is fado is a term too narrow for the type of music that Naifa compose. It is a subgenre within the genre, which blends various musical concepts in a single work. There is not a linear sound, there are various shades imprisoned in each song, is a fusion of identities, this is the best way I've found to define this album. The theme "the truth catches up mistakes" and "señoritas" are some examples of these perplexing songs. Even the lyrics do not follow the announced course, seem lost in a rhythmic frantic pace, echoing punctuated thru the instrumental solos. It's an album of contrasts. There is a bit of everything and almost for everyone, although is not for all types of audiences. The "naifa" are a group directed to a minority. I do not know if that was the purpose, but the fact is that the music they make, an intersection of Portuguese guitars and electronic pop is not appealing to all, or any type of listener. It is addictive for those who like to hear them, thanks to vocalist, Mitó that grabs our senses with her scratched voice, hoarse, full of feeling. Her interpretations are strong, magnetic and that make sense, given the kind of music they make. Honestly is not a subgenre that I enjoy, but I recognize their impetus to be different in the music Portuguese scene of fado, where the "transgression" of the traditional is not seen with kind eyes.