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The six sirens

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There are six for a dozen. Six women. Six voices singing at cappella. Six different shades of sound that enchants audiences. Six disparate personalities that complement each other in an unusual musical project that recently released its debut album, barefoot.

How the six for a dozen did come together?
Fatima Ornelas: The idea came up within the Xarabanda in 2004. The group wanted to form an all-female traditional music band to sing a cappella. From that moment on, Rui Camacho and Professor Roberto Moniz address invitations to several people to join the group. Of the initial six voices, two had to leave for personal reasons, which were Aliane and Filipa that started with me. So, that left two vacancies that have been filled by Susan Brandão and the last element was chosen through an audition. That's when we heard the Carina and the group was complete.

Why cappella singing?
FO: Because it's different. Groups of traditional music there are many. We scored the difference by singing at cappella. What now is not easy, because we do not have the support of instruments. We used percussion instruments but are not in harmony or melody.

And why an album now? And how did you proceed to collect and select the songs?
FO: We exist since 2004 and are only now that we are launching this CD, because as we have already made a journey over the years, we thought it was time to compile the work done during that period of time, to have a record of what was done . Included on this CD, as well as traditional songs, are lullabies, working songs and some Moorish work.

And the name barefoot?
FO: You can have several interpretations. We wanted that name because we have acted from the beginning always barefoot. It's our brand. On the other hand, symbolizes a simplicity that unites us to the past, although we are at present, continued barefoot.

You participated in a national singing contest. What was the feedback to the group of that experience at a national level?
FOR: It was a great experience, because we grew up as a group. The idea of ​​entering the festival was not ours. We were addressed an invitation and delightfully participated. It was completely different from anything we had done until then, although we had years of work. It was good because we were not alone, there were several groups and singers in the same situation. We were competing for the same. It was good in terms of sharing ideas and experiences.

In terms of concerts?
FO: Yes, we had more performances. Of course, people came to meet us at the national level. Although, we have had in the past a chance to act on the continent, including the Azores, as well as outside of Portugal, in particular, in the Canary Islands and Venezuela.

As a group that participated for the first time in an event of this magnitude, what do you think of the current voting system?
FOR: As regards the voting system, there are two points of view. Who wins is very happy and losers are sad. Not everyone can reach the final, or be chosen. Voting is done by the public has to do with the number of calls. The more friends you have, the more vote for us, but we cannot say that is unjust, is at the discretion of each, if people like that song they vote for it.

What is the next step for the six for a dozen?
FO: This year we launched the CD and we are already making new collections and try to change the repertoire. Further enlarge the scope of the compilation, far beyond the island of Madeira and Portugal in general. Perhaps the world. So we are looking forward at this next step.

Did you ever felt some prejudice for being a female group that sings traditional songs?
Carina Gonçalves: No, I never felt it. We sang traditional songs at cappella, because we like to do it and very few singers are able to it live. If people like listen fine, if they not appreciate they don't hear it.

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