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The love terror

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Love horror is the new musical adventure of Daniel, Miguel and  Ricardo, former members of pintarolas. It is a bet on a band that sounds more nimble and with more mature lyrical. The lyrics reflect the universe of these young musicians, with a strong rock sound. There is still no date for the launch of their new work, but the group is already going on the road, they integrated Vox Tropper Tour, which begins in October 29th in Gloria do Ribatejo, with free entry.

Let's start from the end. What dictated the ending of pintarolas?
Daniel Filipe: All bands end by the same two reasons: For personal reasons, relationships between members. The other reason relates to artistic differences. The composers of the band wanted to resize the project in terms of technical content and there was no consensus.

Three former members migrated to love terror. What changes in terms of sound in this new work?
DF: In terms of sound and lyrics has been a great development for those who compose and arrange our type of music. For me, and Miguel, who are the two composers, changes everything. We have a richer sound, instrumentally more in line with our capabilities and the very much the image of what is out there. It is a more developed sound; there is already a certain type of guitar and drums. It is more defined.

In terms of lyrics?
DF: We in pintarolas wanted to create a project with lots of humor, a startling, and laughter in people. Now we do not have this concern. We like to play with the Portuguese, work it. It's a song most identifiable of our personality, not always joke out things, we do not want that. Quite frankly, there are no rules! (Laughs). Basically that's it; we do not have a humorous concern.


From what I hear, there is the introduction of two female voices. It’s a   keeper on the project love terror, or is just for this album?
DF: What we intend to demonstrate with our guests is that most of the music with higher quality in Portugal, has not yet reached the public. The singers, musicians and interesting people with more vision are still unknown to large audiences. So instead of inviting musicians known, which could have already done, we get two people completely anonymous voices with great talent and special.

Why are their voices so special to include in the album?
DF: There it is! These are people who see music differently. The music for the music. Maria Margarida Rodrigues has 16 years, a huge potential and composes. Ana Sofia Antunes, has been internationally prized, but never had the recognition in Portugal. I have the notion that the major national talents are not made public. Is there some type of closure, scheme and system that prevents these people is recognized.

 

Do you think the problem is by the publishers, or is it because of the radios, which is that failure?
DF: When I do interview this question always comes to the fore. I answer the same way. Blame it all. And when I say everyone is from the bands, projects, artists, composers to the public. We cannot compare the musical culture of a Portuguese with of an average American. Any of them is a doctor with us compared, in my opinion. There are countries where the role of music in culture is very pronounced. It is even a trace of their national identity. People are musicians, because the parents were, grandparents were and do it naturally. We are a backward country and limited in this regard.

Will that be due to the cult on Anglo-Saxon music?
DF: The category includes American and English. I think not, I argue that we have a cult for English music. There are projects that stick from the USA, are seasonal, as it has a great promotional machine behind they stay for some time. But in real terms than the audience hears, sees and feels the English influence is much higher in Portuguese bands. It's a shame the public does not have this notion.

And the name love terror?
DF: The idea is not ours, was for a friend. He wanted to form a band, I always said you'd call it love horror, but as he never did anything, I got the idea and the name, because it defines us as people and as sound. We did not know there were so many bands with the name of love. From time to time groups began to emerge from this dichotomy. It is a matter of identification, with the sound and our personalities.

But, you are terrific is that?
DF: No, (laughs) is to explain the bipolarity of the band. The feelings that define us as human beings. We are sad, or happy. Passionate, or depressed. It is a way to play with life, with ups and downs. All those clichés, words that rhyme.

You have already a title for the album?
DF: Is been the hardest thing to do. Because, no one wants to error on the name of their first child. Nobody wants to get a foot in the ring already. First things are always the most difficult to obtain, from my point of view. The first phrase of the song, the first few notes and then the first name of the album.

The launch is still to April next year?
DF: We do not know, maybe it will be before. The problem is the record companies and the space they have to put our album in a market so small, such as Portuguese. You must be spaced and timed. Although we have no label, we are in talks with two or three, have not found the beacon time to do so. There are many suggestions. Today the music world is very different, it's hard to put a project on the market, and the media are also different. The distribution is difficult because people do not buy the CD. Much less for the next year, it will be complicated. But we in one way or another, with or without a label music company, we’ll get our music to people.

http://vimeo.com/29340619

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